I'm going to ignore the rest of the thread (I don't understand what's going on and I don't care, I'm not a musician in the slightest). However, I want to make it clear that artistic legitimacy is NOT defined by the validity of a software license. That's the dumbest f*cking thing I've ever heard.Niccolo wrote:To everyone here, what Empty V was right. Kornmanz embarrassed himself in front of a whole forum because of the same attitude that he showed towards Empty V.
But here, I'll let you be the judge, also feel free to browse his post history.http://www.djforums.com/forums...24574
http://www.djforums.com/forums...24217
He uses 3 different kinds of pirated software, Reason, FL Studio, and Ableton. He's not a serious producer in anyway.
Eventually we just couldn't stand his attitude anymore, so he voluntarily left... Looks like he's doing a good job venting on here.
Just letting you all know so that you see who you're dealing with.
Art theory and music theory are absolutely 100% completely different. Just because they both have "Theory" in them doesn't mean they're identical. You can't even compare the two. This post has no relevance to what we're discussing, but thanks for your $0.02ProudNissanFreak wrote:Theory isn't a necessity to improve upon something in the art industry. Yeah, it may be interesting to know it, but that's all it's good for to me. I'm an artist and have absolutely no use for theory.
It's funny how someone criticizes you and immediately you attack them as a person. Part of being a mature artist and in fact a mature adult is taking criticism. You're 20 dude, not 14. You should be better then this.kornmanz wrote:lololololol.
Oh the DJF stuff comes to haunt me again.
And cracked software totally means I'm not a good and serious producer. It doesnt mean I'm poor as dirt at all.
In fact tons upon tons of producers I know use cracked software.
Everyone. The people on DJForums.com think just like empty v that they know everything and their word is golden. They've been constantly bashing me and my music for the last 2 years and I got tired of their bulls***. None of them are signed xcept 2 people and those people do not do any talking.
Serious producers dont go foruming and dealing with this BS mr niccolo. Obviously your not a serious producer yourself too.
You are right though, you're stuff would be great in showing other students, like yourself, how to create out of key, our of harmony, amateur music. Instead of getting defensive start improving by learning from criticism. For some reason you think that in order to know what sounds good you have to create house music, that's ignorance at it's finest. BTW ignorance is defined as, Lack of knowledge or informationkornmanz wrote:One of the guys over there at DJF said that my music wasnt good enough to teach others. I lol'd.
Sorry if it comes off that way. It's part frustration and part bluntness because I feel the only way for him to understand what I'm trying to convey is by being as direct as possible.ScorchedNX2K wrote:While Empty V does have some good advice (Taking music theory classes is a must IMO) it came off as a little elitist.And if you are going to incorporate piano and classical music into your work...you really should look into doing so.Like he said there are some parts in there where it goes flat and just plain sounds wrong.I'm sure some editing will iron that out though.I agree...you really should take some music writing and composition classes.If anything it will help you organize better. Just because you create techno does not mean you can ignore music theory.
Yeh...listening to it again with my national fiddler-GF...there are a some off chords and notes throughout the piece. Sounds cool though.
kornmanz wrote:I create crappy music.
Better bad publicity than none at all, right?kornmanz wrote:You guys are truly epic fail. After all the bulls*** and hate you guys gave me and then you explain it like I'm the dumbass here?
f*** you dude. f*** you and everyone on DJF. You guys are such douche bags you go and make profiles on another forum just to discredit me and my work as you always do.
You haters are so predictable.
Not a bad anology but I feel a better one would be how would you expect to write a book if you did not know how to use grammar(Yes I know I don't have great writing skills) Yes you might know some words but you might not know how to put them together in different ways to create different moods etckornmanz wrote:
To me its like telling a person who draws how to draw.
When did anyone define being a good artist by any of those things? Dude never said not to use samples, or that having licensed software instantly makes you a decent artist. And I NEVER once said that time makes you a decent artist. I know lots of artists that have been doing this same exact thing for years and their music still blows. Which you'll prove that to be correct if you don't change your ways.kornmanz wrote:I'm sorry but you guys and your lame reasoning for talent is pathetic.
Lets see if I get this right.
You guys over there at DJF believe that the following makes a good producer:
-Licensed software-Not using samples (when EVERYONE in the industry uses)<---this makes me lol.
And empty v thinks talent is defined by how long you are doing something.
hmmmm
wrong.
MrNorris wrote:Kornmanz, you should stop making music and dedicate yourself at what you do best: fixing cars. Go to a shop and apply for a job, I bet you'll do much better over there than in music.
That "getting up again" thing only applies if you learn from the mistakes which made you fall. You aren't doing this.kornmanz wrote:Empty V. I do not want to "learn" ultimate wisdom from people who do nothing but talk s***. Keep talking s*** keep on keep on I'm never gonna stop.
You know that song "i get knocked down"?
Yeah well I get up again. And again. And again. And again. And again. And well you get the point.
I freaking love that you guys are so intent on bashing me and discrediting me that you go and make accounts on a forum that I've been releasing my music to for the last 2 years.