VimyJ wrote:I still love SciFi but switched to the Classics because all the scifi made me want to see from whence it came. Not enough time, dammit!
I didn't go to see Troy for precisely the reason you mentioned about pop translations of classics into film. Will probably rent it. Why not call it the The Illiad? "Danger!Warning Will Robinson!"
Lord of the Rings is the exception to that rule. Fantastic adaptation. I was never disappointed except for two little things. One, the scale of the landscape was too small (that's New Zealand for you); and two, Tolkien specifically mentions in his work that the voices of the Ents sounded like reedy like a bassoon. The latter is a very minor complaint but it surprised me considering how excellent and true the adaptation was overall. Looking forward to "The Hobbit."
I've been a voracious sci-fi reader since 2002. I've recently been blown away by Stand on Zanzibar-by John Brunner and Chthon- written by Piers Anthony.
Though I regard The Lord of the Rings trilogy as a towering cinematic achievement, it isn't without flaws. Technically, the films were brilliant- the cinematography was solid, the art-direction was top-notch, the action choreography were well-done and the special effects were exceptionally rendered. Jackson wringed out the best performances possible from his cast.
However masterful the film was, technically and logistically, I found it severely lacking in artistic merit and emotional impact.
All the emotions presented in "The Rings" are mere symbols. The pain of loss of someone, the love for another human being, the fear of the unknown, and the temptation of power are all unmotivated, symbolically represented, and stripped of any true emotional values. They are almost dictionary definitions of what human emotions are--all easily explicable by a few words. Thus some scenes, especially those involving Frodo and Sam, seemed a tad on the maudlin side. Thus though I consider LOTR one of the finest engineered films I found it lacking in artistic merit, it just didn't speak to me on an emotional level.
As far as successful novel-film adaptations go, I'd say both The Last of the Mohicans, The Shining and Shawshank Redemption were superior to their literary source material.