=Bmore-coupe wrote: I just re bought an old Faith No More album that had gotten scratched
I'm assuming that was a link to a torrent or something to that effect? If so, that's just not cool. I may not always like the industry (honest, I generally hate any sort of giant, soulless corporate monstrosity), but it is, generally, a necessary evil. If the record company is making more money, then they're more likely to take a risk on an unknown group/artist. While the internet has definitely facilitated the success of independent artists, you can't argue that the resources of a significantly large record label doesn't help. Additionally, you are taking money from the artist. I know the whole argument that only a small portion of the profit goes to the artist, but the fact is that it is still some money. If the artist in question is somewhat popular, then this could come out to a significant sum of money.sndtgr08 wrote:=Bmore-coupe wrote: I just re bought an old Faith No More album that had gotten scratched![]()
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Please check out the link before I delete it.
<removed>
Now, go return that 1.3oz. piece of plastic you paid $15 for...twice....
zacmil wrote: If nothing else, stealing is stealing.
Well yeah. One gets you whacked in the head with a baton, so digital piracy is much easier. Imagine if you could steal food by downloading it.zacmil wrote:If nothing else, stealing is stealing. Would you go out and just snatch a car off the lot because the manufacturer has too much money or the car is just too overpriced? I don't think so. Why should an album be any different? Personally, I feel like the internet has desensitized us, as a society, to crime. Many people have no qualms about pirating an album, but they would never take one off of a store shelf and attempt to walk out the front door.

Not quite. "Sharing" a piece of intellectual property, in this case an album, is essentially stealing. Yes, you may have purchased the initial CD, and I would argue that you have every right to create as many digital copies as you would like for yourself. You don't, however, have the right to make a copy of that album to distribute to others. If it were acceptable to distribute content like this, there would no reason for more than one copy of any media to ever be sold; one person would simply purchase it and then distribute it to everyone else.sndtgr08 wrote: Watch this video. It will simplify it for you.
http://youtu.be/Fw-MFeR8Frw
Your right, stealing is stealing.
But we are not talking about stealing.
We are talking about sharing.
They way its set up is like a monopoly. And thats BS.zacmil wrote:Not quite. "Sharing" a piece of intellectual property, in this case an album, is essentially stealing. Yes, you may have purchased the initial CD, and I would argue that you have every right to create as many digital copies as you would like for yourself. You don't, however, have the right to make a copy of that album to distribute to others. If it were acceptable to distribute content like this, there would no reason for more than one copy of any media to ever be sold; one person would simply purchase it and then distribute it to everyone else.
Don't get me wrong, I'm all for the free distribution of media and ideas, but only if the person(s) who have ownership of the rights to said content consent to such distribution. If a band wants to give their music away for free, more power to them. If, however, they want compensation for the music that they have put time, money, and effort into creating, they should receive it.

Except how is a drug company supposed to recover their R&D costs if someone can just steal their work as soon as it's completed? Drug companies would lose money if they developed a drug and had a competitor steal the formula right off the bat. And then no one would develop drugs. Your argument is invalid.sndtgr08 wrote:They way its set up is like a monopoly. And thats BS.
They limit the med companys to what? 10years? Then you can find the meds cheaper. alot of people die that could have lived in 10 years. Thats BS.
Make your money and move on.
AppleBonker wrote: Except how is a drug company supposed to recover their R&D costs if someone can just steal their work as soon as it's completed? Drug companies would lose money if they developed a drug and had a competitor steal the formula right off the bat. And then no one would develop drugs. Your argument is invalid.
How, exactly is that a monopoly?sndtgr08 wrote: They way its set up is like a monopoly. And thats BS.
Comparing a piece of music to a medicine isn't quite fair. Bear with me, because I know I will do a terrible job of explaining this. A piece of music is a intellectual property, an idea. It is what it is, and if altered it is something new. There is no recipe or formula to create it. (I am just guessing on this next bit, so if I'm wrong, someone please correct me)The generic drugs I'm assuming you're referring to are created using some formula or recipe in which components can be substituted to create a similar product that is technically not the same.sndtgr08 wrote:
They limit the med companys to what? 10years? Then you can find the meds cheaper. alot of people die that could have lived in 10 years. Thats BS.
Make your money and move on.
You write a song and you expect money forever!?
LOL People who invent things that SAVE lives dont get crap, but you think Millionare music execs deserve more?
I agree, but how will they be heard and seen if there is no institution in place to distribute their music? I would argue that by removing the mechanism that facilitates the distribution of said material over vast distances, you are much more effectively stagnating culture and the human race.sndtgr08 wrote: <Shakespeare laughing in grave> Oh the irony
It only stagnates the culture and the human race. Are they not artists? Maybe it should be more important that they be heard and seen?
I would argue that this is the result of piracy exacerbating the flaws of an imperfect system. Because record companies are bringing in smaller profits, they are less willing to invest money on artists that may be considered risky. In other words, they only invest in artists who sound like whatever is already on the radio.sndtgr08 wrote: Thus you get crapy album after crapy album.
You've got me all wrong. Trust me, I am in no way obsessed with the acquisition of material goods. I simply acknowledge to underlying motivations of the society in which I live. If we lived in a--dare I say--less capitalist society you're argument for allowing the free-flow of art for art's sake would have some validity. I would even argue that, in many ways, that would be superior. We don't, however, live in such a society. Because so much is motivated by profit, we must do what we can to ensure that those "millionaire music execs" (not arguing with you there) are willing to invest in music that may be considered more artistic. I know that's a cynical way to look at things, but I'm sure that many would agree that there is some validity to it.sndtgr08 wrote: All Mighty Dollar:
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Not directed at you guys, we are all on the consumer end, just discusing the pointszacmil wrote:Comparing a piece of music to a medicine isn't quite fair. Bear with me, because I know I will do a terrible job of explaining this. A piece of music is a intellectual property, an idea. It is what it is, and if altered it is something new. There is no recipe or formula to create it. (I am just guessing on this next bit, so if I'm wrong, someone please correct me)The generic drugs I'm assuming you're referring to are created using some formula or recipe in which components can be substituted to create a similar product that is technically not the same.
I agree, but how will they be heard and seen if there is no institution in place to distribute their music? I would argue that by removing the mechanism that facilitates the distribution of said material over vast distances, you are much more effectively stagnating culture and the human race.
I would argue that this is the result of piracy exacerbating the flaws of an imperfect system. Because record companies are bringing in smaller profits, they are less willing to invest money on artists that may be considered risky. In other words, they only invest in artists who sound like whatever is already on the radio.
I understand, I was just trying to say that it wasn't the best analogy. That's not to say I could come up with something better.sndtgr08 wrote: Not directed at you guys, we are all on the consumer end, just discusing the points
Music to Medication, Was just using for analogy, its obvious the formula(SONG) is the cobination of teams(BAND) working OR a single indviduals work(LIKE MUSIC) is "OWNED" By somebody. you see the links now yes? either way, once produced, either can ALWAYS be reproduced.
I really probably should have included the word "assuming", but I believe that statement makes sense when read in context. My point isn't that record companies are hard-up for cash or anything, but that they don't make the profits they desire.sndtgr08 wrote: "record companies are bringing in smaller profits" Not sure what you think small is. But the companys that are fussing and fighting to control what you see and hear are the top dawgs. Have you seen how much they make every year? There are small countrys that make less.
I agree with some of what you're saying here. I've tried to make clear that I am very much in favor of fair use and the free sharing of ideas.sndtgr08 wrote: As for distribution? Its called the world wide web. Which is getting narrower every day. Which is how I come back to my earlyer point and ties into the last few comments. In there cusade to stem "piracy" they are restricting your rights. You are being censored. The #1 distibution source of information on the planet is the net, and they are atempting to take control of it, or at leaste tell you what you can and cant see, with no input on your part. Its like using a Sledge Hammer to pop a zitIf you really want to support your favorite artists the you would go to there shows or send money directly. You know they dont get crap on a cd. And so they pump out crap tons of trash albums, and so we SHARE them so we dont waste our money on trash and the CYCLE continutes untill enough money gets into enough hands and your internet is censored.